Biodun Iginla, BBC News

Biodun Iginla, BBC News

Thursday, March 23, 2017

The War Machine (VI)

by Biodun Iginla, BBC News Analyst, New York


A body {corps) is not reducible to an organism, any more than esprit de corps is reducible to the soul of an organism. Spirit is not better, but it is volatile, whereas the soul is weighted, a center of gravity. Must we invoke a military origin of the collective body and esprit de corps? "Military" is not the part that counts, but rather the distant nomadic origin. 

Ibn Khaldun defines the nomad war machine by: families or lineages PLUS esprit de corps. 

The war machine entertains a relation to families that is very different from its relation to the State. In the war machine, the family is a band vector instead of a fundamental cell; a genealogy is transferred from one family to another according to the aptitude of a given family at a given time to realize the maximum of "agnatic solidarity." Here, it is not the public eminence of a family that determines its place in a State organism but the reverse; it is the secret power (puissance), or strength of solidarity, and the corresponding genealogical mobility that determine its eminence in a war body. This has to do neither with the monopoly of an organic power (pouvoir) nor with local representation, but is related to the potential (puissance) of a vortical body in a nomad space. 

Of course, the great bodies of a modern State can hardly be thought of as Arab tribes. What we wish to say, rather, is that collective bodies always have fringes or minorities that reconstitute equivalents of the war machine—in sometimes quite unforeseen forms—in specific assemblages such as building bridges or cathedrals or rendering judgments or making music or instituting a science, a technology ... 

A collective body of captains asserts its demands through the organization of the officers and the organism of the superior officers. There are always periods when the State as organism has problems with its own collective bodies, when these bodies, claiming certain privileges, are forced in spite of themselves to open onto something that exceeds them, a short revolutionary instant, an experimental surge. A confused situation: each time it occurs, it is necessary to analyze tendencies and poles, the nature of the movements. 

All of a sudden, it is as if the collective body of the notary publics were advancing like Arabs or Indians, then regrouping and reorganizing: a comic opera where you never know what is going to happen next (even the cry "The police are with us!" is sometimes heard).

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